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When I was in college, I did something that would become one of the most important decisions of my life. I applied for a job at Ubisoft Montreal to work on Heroes of Might and Magic 2, when it was in production. The game had just been released two years prior to when I came into the company, but had already established itself as one of Ubisoft’s biggest games. Unfortunately, our studio closed down before the end of my time there in 2005. But what followed was an incredible experience working on a brilliant game with world-class designers, artists and programmers who made me see things about art design in games that no university has ever taught me about. At first glance, the game appeared to be just another RTS game at first. But the studio that took it to that new level was passionate about videogame art design. This passion for making things that were more than just “good” but instead, truly exceptional, is something I believe in with all my heart. I knew I had the opportunity to work on one of the best-looking RTS games on the market at that time. It was an amazing feeling to create so many visual improvements over the original game. Sure, our main goal was to make sure the game ran perfectly on every computer that played it. And we succeeded in doing that without any major problems or bugs along the way. But we also decided to make the UI design and user interface as intuitive as possible so that even the non-technical players at least understood what was going on. It was a requirement of my contract to keep all the elements of the UI consistent with other parts of the game, such as the “terrain” and “buildings”. Some people may think that adding more AI characters made it too complicated, but I’ve always felt that if you make it easy for others to learn how to play your game, you expand your audience and increase their enjoyment and attachment to your game. Working on this project led me down a path where I expanded my knowledge in several areas. Heroes 2 was a very successful game, especially in the US and France, where it was a bestseller. It’s still played by thousands of gamers to this day. Aside from my work on Heroes of Might and Magic II, I also contributed to the design of the original Might and Magic Heroes VI as a part of our team’s effort to re-imagine this classic series from the ground up. The story behind this article is an interesting one for me personally. I’d been working at Ubisoft Montreal for about six months and we were all really excited to be working on Heroes of Might and Magic II. On March 18, 1999, I published an article titled “Heroes 2: Looking Into the Abyss,” which was also my first article as a Technical Manager at Ubisoft. The article was picked up by many websites and helped spread the word about the game even more than it had been at that point. The feedback we received from gamers and journalists was amazing and we were very excited to respond to their questions directly through our forums. cfa1e77820